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John Kameel Farah

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John Kameel Farah is a composer, pianist and visual artist based between Toronto and Berlin. He studied composition and piano performance at the University of Toronto, where he received the Glenn Gould Composition Award twice during his studies. In 1999 he had private lessons with Terry Riley in California, and later at the Arabic Music Retreat in Hartford. In 1998, he performed the complete solo piano works of Arnold Schoenberg in Toronto, and most recently, the first book of Bach’s “Well-Tempered Clavier” in Berlin. Toronto’s NOW Magazine named his as Best Pianist 2006. In 2011 John received the K.M. Hunter Artist Award for Music from the Ontario Arts Council.

Farah now focuses primarily on his own creative hybrid of improvisation, composition and electronic music. Simultaneously using piano, synthesizer, computer, and at times harpsichord and organ, his solo performances exist between the worlds of the concert pianist and the electronic producer, mixing forays into free improvisation, jazz, electro–acoustics, middle-eastern modes and rhythms and ambient minimalism.

Farah’s music draws upon an interest in astronomy, history, mythology and painting. As a visual artist, his intricate ink drawings have been presented at solo and group exhibitions. He has composed extensively for solo piano, as well as for string quartet, percussion groups and chamber ensembles.

Farah performs regularly in both Toronto and Berlin, and has toured internationally across the U.K., Europe, USA, Canada, the Middle–East, Brazil, South Korea and Mexico. In 1999 and 2002, he visited the Edward Said National Conservatory, giving performances and masterclasses in the West Bank.

His first album, “Creation” was a compilation of electronic tracks connected by piano and harpsichord interludes. His second album, “Unfolding” was released on Dross:tik Records in 2009, followed by a duo album in 2011 with pianist Attila Fias, and his newest album, “Between Carthage and Rome” was released in 2015. He is a member of the Canadian Electronic Ensemble, as well as pianist-composer for Peggy Baker Dance Projects, and was the Electronic-Composer-in-Residence for Soundstreams Canada for 2013.

Recently John received a Dora Mavor Moore Award from the Toronto Alliance for the Performing Arts, for the music composed for Peggy Baker’s “Phase Space” dance production in early 2016.
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Album: Time Sketches
Genre: Post Classical
Stimmung: Cinematic, Dramatic, Driving, Empowered, Energetic, Heroic, Melancholy, Mysterious, Suspenseful, Swelling
Instrumental: Ja
Rechte enthalten: Publishing only
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Album: Time Sketches
Genre: Electronic, Jazz, Post Classical
Stimmung: Agitated, Cinematic, Energetic, Playful, Quirky
Instrumental: Ja
Rechte enthalten: Publishing only
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Album: Between Carthage and Rome
Genre: Ethnic, Jazz, Post Classical
Stimmung: Aggressive, Agitated, Dramatic, Energetic, Exotic, Quirky, Suspenseful
Instrumental: Ja
Rechte enthalten: Master and Publishing
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Album: Between Carthage and Rome
Genre: Latin (Feel), Post Classical
Stimmung: Agitated, Building, Danceable, Dark, Driving, Eerie, Energetic, Mysterious, Quirky, Suspenseful, Swelling, Upbeat
Instrumental: Ja
Rechte enthalten: Master and Publishing

Kürzliche Tweets


Madame Tutli Putli - recomposed by John Kameel Farah
Fantasia - live @ Reeperbahn Festival 2017
Jinju Dervish - Live
John speaks about new album "Time Sketches"
Fugal Metamorphosis - live at Kölner Philharmonie

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